Making the Most of Architecture and Interior Design Events

Making the Most of Architecture and Interior Design Events

As the global design calendar becomes ever more crowded, from Milan Design Week and 3daysofdesign to London Design Festival and Paris Déco Off, the challenge for interior design studios is no longer simply deciding which events to attend, but how to extract real value from them. The design world calendar is seemingly fuelled by hype, scale, and oversaturation of brand moments and exclusive satellite events, but the most successful creatives and brands are those able to navigate these moments with clarity and purpose.

Few people understand that better than Amy Frearson. As Editor-at-Large of Dezeen and one of the design world’s most influential journalists and commentators, Frearson has decoded the international design circuit from the inside through her editorial work, brand collaborations, and her useful Curated Maps. Her perspective has been honed not only by attending these events at the highest level, but by understanding how the conversations, launches, and cultural signals emerging from them shape the wider industry.

Alongside her, PR and communications strategist Hugo Rawlins offers insight into how brands can move beyond just showing up, but to use these sometimes frenetic periods to focus, build relationships, generate visibility, and create meaningful engagement in an increasingly competitive landscape.

We also spoke with Brian Woulfe, who brings the lived experience of attending these fairs as a working interior designer. For Woulfe, the major international shows are sources of inspiration and essential touchpoints for maintaining supplier relationships and discovering emerging talent.

amy freason curated maps dezeen business and interiors
Amy Frearson,
Editor-at-Large for Dezeen and Speaker

Amy Frearson

It’s very easy to become overwhelmed by the scale of some design events,” says Amy Frearson, the speaker, editor, and editor-at-large of Dezeen. This is particularly true of the city-wide events like Milan Design Week, London Design Festival, and 3daysofdesign, which takes place in Copenhagen this June. 

“With so much going on, there is always a temptation to rush around and try to pack in too much,” says Frearson. “My advice is to try and work out your priorities from the start. What are the things you really want to see, and why?” But beyond seeing as much as you can, from talks to installations, “it’s also important to remember the importance of people,” she says. “Conversations are often the most valuable takeaways from these events, so be sure to allow time for both the planned meetups and the accidental ones!”

Fearson is the creator of Curated Maps, the digital guides to design weeks around the world. For industry insiders, they have proven invaluable for navigating the must-see locations, studios and events that characterise the most important moments in the interior design calendar. “One of the reasons I created Curated Maps is that I would often become frustrated if I didn’t use my time effectively,” says Frearson. “When time is so valuable, you want to use it wisely, with the people and the shows that matter, rather than retracing steps you’ve already taken.”

Brian Woulfe

For Brian Woulfe, the big international design events are the ones to invest in. “Salone del Mobile has always been more than an inspiration trip for us,” he says. “Rather, it’s a touchpoint in our calendar to see the suppliers, craftspeople, and designers that we work with throughout the year.” For Brian and his studio, Designed by Woulfe, the big design shows are where we reconnect with the industry, “and where we reinforce existing relationships that underpin our work. Salone provides the perfect setting to understand new collections in context and align on future directions.”

As far as the networking power goes at large scale events, Woulfe is always looking beyond the established names. “One of the most valuable aspects of attending design shows is the opportunity to discover emerging studios and smaller makers that bring a fresh perspective to craft and materiality,” he says. “These are often the voices shaping the future of design in a more experimental, considered way.”

brian woulfe designed by woulfe business and interiors
Brian Woulfe,
Founder of Designed by Woulfe

Feeding back the intelligence, learnings, and insights from a trip to a design event is a crucial part of the process for Woulfe. “Translating what we see into our work is always a measured process,” he says. “It’s never about directly replicating what’s on show, but about distilling what feels important and reinterpreting it in a way that’s specific to our clients and projects.”

Hugo rawlins designers journal business and interiors
Hugo Rawlins,
Director of Rawlins George

Hugo Rawlins

“From a PR perspective, the major international design shows, whether it’s Milan Design Week, 3daysofdesign or Paris Déco Off are unmatched,” says Hugo Rawlins. For him, events like these are not just opportunities for the hard sell, but for networking and more meaningful marketing opportunities “They bring the industry together in one place and create a rare window to build relationships, generate press and make real noise around a brand,” he says.

For Rawlins, the clients in his portfolio that get the most out of interior design events are those who mine it for added value opportunities. “The clients who see the most value are the ones who don’t just attend, but use that moment properly, be it hosting, collaborating and giving people a reason to engage,” he says. Rawlins adds that, “of course, this is something that applies just as much to UK events like London Design Week, Focus and WOW!house.

Anya Cooklin-Lofting

freelance journalist

Anya Cooklin-Lofting is a freelance journalist specialising in design, culture, and the arts.

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